leif penner geburtstag
S. 15–21, Rita Benton: Ignace Pleyel, Disputant. S. 147, James P. Cassaro: Subject Commission on Cataloguing. S. 45–51, Lenore Coral: Cataloguing Commission Report. S. 25–28, Joachim Jaenecke: Dating Music Manuscripts And Prints: An Overview Of Past And Present Research. Bd. 34 (Décembre 1972). S. 1, Harald Heckmann, John H. Davies, André Jurres, Alfons Ott, K. Schmidt-Phiseldeck, Harold Spivacke: Jahrestagung der IVMB in Mailand — Annual Meeting of IAML in Milan — Réunion de l’AIBM à Milan. Band II: Vom Barock bis zur Gegenwart by Rudolf Flotzinger; Gernot Gruber. S. 167–185, Victoria Alemany Ferrer: The Establishment Of The Modern Piano Pedagogy In Spain: The Case Of Valencia. S. 116–117, Thomas J. Mathiesen: Towards a Corpus of Ancient Greek Music Theory A New Catalogue Raisonné Planned for RISM. S. 23, Barry S. Brook, Nanna Schiødt, H. Robert Cohen, Marcello Conati: Joint Commissions. S. 390–391, Massimo Gentili-Tedeschi: Cataloguing Commission: Sub-Commission on ISBD and Music. S. 245–248, Barry S. Brook: On reprinting music and books about music: then and now. S. 33–36, Sandra P. Rosenblum: Clementi’s Pianoforte Tutor on the Continent. I et III. Aufl. S. 113–114, Review by Willard Rhodes: Music and Dance Research of Southwestern United States Indians; Past Trends, Present Activities, and Suggestions for Future Research. S. 164–167, Review by Thomas F. Heck: Quellenforschung in der Musikwissenschaft (Wolfenbütteler Forschungen, Bd. (Detroit studies in music bibliography, 65) by Walter Kaufmann. S. 292–293, Federica Riva: Libraries in Music Teaching Institutions Branch. S. 44–47, David Day: Working Group for the International Registration of Music Archives. Mit 365 Tagen ist 1962 ein ganz normales Jahr und kein Schaltjahr. S. 181–192, Alina Żórawska-Witkowska: KÖNIGLICHE ARCHIVALIEN ALS GEGENSTAND MUSIKWISSENSCHAFTLICHER FORSCHUNGEN. S. 39, Marsha Berman: Project Group on Statistics. Thematisch-Bibliographisches Werkverzeichnis by Dan Fog; Kirsti Grinde; Øyvind Norheim. S. 12–14, Rogier Starreveld: How Do Mics Promote Performances Of Contemporary Music?. S. 61, Kurt Dorfmüller: Project Group on Classification. III: Source Melodies (Part one), Vol. S. 1, Harald Heckmann: Ein Halbes Jahrhundert. S. 53–67, Liste Internationale Selective No. Jahrhunderts. 5.6K Followers•324 Following. S. 117–131, Jens Jørgen Gjedsted: Electric Jazz. S. 396, Richard Chesser: Constitution Committee. S. 49–52, Rita Benton: The Nature of Music and some Implications for the University Music Library. S. 273, Review by Geneva H. Southall: Sinful Tunes and Spirituals: Black Folk Music to the Civil War by Dena J. Epstein. S. 9–10, Vladimir Fédorov: Les voeux du Conseil international de la musique. S. 383–384, Review by Carl Rahkonen: Otto Luening: a bio-bibliography by Ralph Hartsock. (Vocal works by Salamon Rossi, ed. S. 174–178, Vladimir Fédorov zum 70. S. 44–45, Bent Christiansen: Music for Children — Some Considerations from a Danish Point of View. S. 215–270, Chris Walton: Wagner’s Peculiar Oboist: Philipp Joseph Fries. S. 52, Le Congres De Bruxelles: 11 — 18 Septembre 1955. S. 145–146, Judy Tsou: Working Group on the Registration of Music Archives. S. 73–74, Mary Wallace Davidson: United States. S. 135–139, Harald Heckmann: Das Répertoire International Des Sources Musicales (Rism) In Geschichte Und Gegenwart. He initially studied traffic management in Gotha (Thuringia). S. 40–43, Kari Michelsen: Music Trade in Norway to 1929. S. 65–67, Robert Stevenson: Sixteenth and seventeenth century rescources in Mexico (Part I). S. 379–380, Review by Giuseppe Cattaneo, Guiseppe Cattaneo: Music for oboe 1650—1800: a bibliography. S. 121–125, Claudio Sartori: Nascita, letargo e risveglio della Biblioteca Greggiati. S. 443–445, Review by William Berz: The Conductor’s Legacy by Paula A. Crider. Iaml Congress San Sebastián/Donostia, Spain 1998. W. A. Mozart 620). S. 227–229, Review by Katy Romanou: A Descriptive Catalogue of the Musical Manuscript Collection of the National library of Greece. Fourth Edition by David Daniels. Jahrhunderts: Am Beispiel Johann Sebastian Bachs Und Johann Gottfried Walthers. S. 154–155, H. Robert Cohen: CIRPM — VANCOUVER. S. 185–187, Review by Thomas S. Hischak: A Song in the Dark: The Birth of the Musical Film. S. 108–109, Anna Van Steenbergen: Compte-Rendu des Discussions. S. 229–231, Dominique Hausfater: LES BIBLIOTHÈQUES DE RECHERCHE: Les Archives musicales en France. S. 142–158, Publications à Caractère Bibliographique. S. 42–43, Eric Cooper, Liz Hart: Public Libraries Commission. S. 423–424, Review by Benjamin Ayotte: Selected Correspondence of Charles Ives by Tom C. Owens. S. 148–149, Review by Pierre Hardouin: Survey of Organ Literature and Editions by Marilou Kratzenstein. S. 244–246, Asbjørn Jørgensen: The Education of Music Librarians in Norway. Toward A Workable Controlled Vocabulary For Music. Enrich Straram: Introduction du Président. S. 208–209, Roger Taylor: United Kingdom 1994. S. 148–149, Review by Kendall L. Krilly, Kendall L. Crilly: William Mason (1829—1908): an annotated bibliography and catalog of works. S. 73. S. 153–155, Suzanne Clercx-Lejeune: Le Bibliothécaire Musical. S. 138–139, Review by Alan Tyson: Ignace Pleyel: A Thematic Catalogue of his Compositions (Thematic Catalogues no. 25, nos 3 and 4 (2001, issued March 2002) by Georgina Binns. S. 141–142, Simone Wallon: The Music Librarian, the Bibliographer, the Documentalist: Rapport secondaire. Redigeret af Henrik Fibiger Nørfelt. The 12th Congress of the International Musicological Society (Berkeley, August 1977). S. 187, Ruth Henderson: U.S. S. 190, Hartmut Walravens: ISMN: New Developments. S. 181–182, Wolfgang Krueger: Kommission für Dienstleistung und Ausbildung. Z. Idelsohn Archives at the Jewish National and University Library, Catalogue (Yuval Monograph Series IV.) S. 236–249, Gilles Pierret: L’avenir De La Musique Dans Les Bibliothèques Publiques Françaises Ou De La Difficulté À Trouver Un Modèle De Substitution À La Discothèque De Prêt. S. 671–672, Review by Gerald Seaman: Muzikološki Zbornik (Musicological Annual) XLIII/2 by Leon Stefanija; Katarina Bogunović Hočevan; Matjaž Barbo. S. 9–15, Higinio Anglés: Relations épistolaires entre César Cui et Philippe Pedrell. by Jean-Michel Nectoux. S. 180–181, Andrzej Spóz: Poland: 1996—97. S. 31–32, J. R. Le Cosquino De Bussy: Le Rôle Et La Place De La Lecture Publique Dans L’éducation Musicale Contemporaine. (Das Händel-Handbuch 1) by Hans Joachim Marx. Mit einem Anhang: Nachträge zu den Tabulaturen und Stimmbüchern Katalog bayerischer Musiksammlungen 5/2. S. 99–102, Review by Beate Redlich: Lexikon „Musik über Musik“ : Variationen — Transkriptionen — Hommagen — Stilimitation — B-A-C-H. by Klaus Schneider. S. 94–95, Julius Hůlek: Czech Branch: 1993—94. S. 16–19, Robert Stevenson: Latin American Archives. S. 73–74, Hans Lenneberg: Problems in the International Exchange of Microfilm. S. 242–243, Review by Gregory Proctor: Music Analysis in Theory and Practice by Jonathan Dunsby; Arnold Whittall. S. 373, Jutta Lambrecht: Ad-hoc Committee on Electronic Fontes. S. 385–390, H. Robert Cohen, Benjamin Knysak: Ripm: Online Archive Of Music Periodicals (1800—1950). S. 121–122, Review by Nanna Schiødt: Music Translation Dictionary. 72) by Larry Sitsky. (Aesthetics in music, no. S. 61, Lenore Coral: Project Group on Computer Cataloguing. S. 90–92, Review by Johan Eeckeloo: Ah! The Attribution Of Santa Geltrude And Ismaele. S. 53, Howard Brown: Rism-Recueils Imprimés Du Xvi E Et Xvii E Ss. S. 1, Barry S. Brook, Nanna Schiødt: RILM: Répertoire International de Littérature Musicale / International Repertory of Music Literature / Internationales Repertorium der Musikliteratur. S. 185–188, Review by Daniel Zager: Bibliographie der Musikbuchreihen, 1886—1990. S. 329–377, International Association Of Music Libraries, Archives And Documentation Centres (Iaml) / Association Internationale Des Bibliothèques, Archives Et Centres De Documentation Musicaux (Aibm) / Internationale Vereinigung Der Musikbibliotheken, Musikarchive Und Musikdomumentationszentren (Ivmb). S. 221–241, Alison Hall: Council Meetings: July 18 and 23 1999 in Wellington, New Zealand. Eine biographische Enzyklopädie. S. 24–27, Charles Cudworth: Richard, Viscount Fitzwilliam, and the French Baroque Music in the Fitzwilliam Museum, Cambridge. S. 271–274, Nikolaus Delius: Jacob Friedrich Kleinknecht und seine Brüder Versuch einer Werkliste. S. 191–192, Review by Marcoemilio Camera: Il Fondo Musicale dell’Arciconfraternitá di S. Girolamo della Caritá. S. 21–24, Bent Christiansen, Elizabeth Hart: Some Aspects of Contemporary Music — in Society and in the Library. S. 142–145, Karl-Heinz Köhler: Zum Ausbildungsstand von Musikbibliothekaren in der Deutschen Demokratischen Republik. S. 79, Garrett Bowles: Working Group On Computer Cataloging. S. 225–227, Review by Susi Woodhouse: Letters From a Life: The Selected Letters of Benjamin Britten 1913–1976. S. 214, Joachim Jaenecke: Bundesrepublik Deutschland: 1992. S. 178–182, Gisela Attinger: Mittelalterliche Musikfragmente In Norwegen. S. 194–195, Review by Tinsley Silcox: American Choral Music Since 1920: An Annotated Guide. S. 32–33, Joachim Jaenecke: Bibliographische Kommission. S. 295–303, Anu Vissel: A Century Of Collecting And Preserving Estonian Traditional Music. S. 13–26, International Association of Music Libraries, Archives and Documentation Centres (IAML): Constitution (adopted by the General Assembly in August, 1980) / Association Internationale des Bibliothèques, Archives et Centres de Documentation Musicaux (AIBM): Statuts (adoptés par l’Assemblée générale en août 1980) / Internationale Vereinigung der Musikbibliotheken, Musikarchive und Musikdokumentationszentren (IVMB): Statuten (angenommen auf der Generalversammlung, August 1980). S. 97–98. 2 nd edition by Barbara Winchester; Kay Dunlap. S. 375–376, Review by Silvia Di Pietro Liti: Musical References in the Gazzetta di Napoli, 1681—1725. S. 209–212, Susan M. Clegg: Music Libraries in Teaching Institutions. S. 115, Kurt Dorfmüller: Form- und Gattungsnamen im Sachkatalog der Musica practica Zum Entwurf eines Thesaurus. S. 431–433, Review by Nina Eichholz: Telemann und die Kirchenmusik. S. 27–36, International Association of Music Libraries, Archives and Documentation Centres (IAML): Provisional Rules of Procedure (adopted by the Council on 8 August, 1980). S. 293–294, Review by Chris Walton: A Guide to the Solo Songs of Johannes Brahms by Lucien Stark. S. 398, Emilia Rassina, Emilia Rassena: Russia. S. 370–371, Review by Philip Vandermeer: Ethnomusicology research: a select annotated bibliography (Garland library of music ethnology) by Ann Briegleb Schuursma. S. 392–393, Review by Alma Bejtullahu: Albanian Traditional Music: An Introduction by Spiro J. Sxhetuni; Spiro J. Shetuni. Jahrhundert : Porträts von Marin Alsop bis Simone Young by Elke Mascha Blankenburg. S. 397, Martie Severt: Outreach Committee. Volume 5: 1958–1965 by Philip Reed; Mervyn Cooke. Vol. S. 203, Ellen Kempers, Ria Warmerdam: The Netherlands. S. 144–145, Review by John Druesedow: Modern music librarianship: essays in honor of Ruth Watanabe. S. 74–75, Heikki Poroila: 50 th Anniversary of Music Departments in Finnish Public Libraries. S. 240–241, Hugh Cobbe: Susan Thiemann Sommer: 1935—2008. La musica, la pittura, il pensiero. S. 239–240, Chuen-Fung Wong: The Value Of Missing Tunes: Scholarship On Uyghur Minority Music In Northwest China. S. 199–201, National Branches: United Kingdom Thirty-fifth Annual Report 1987. (1719—1845). Vol. S. 202–204, Review by H. Stephen Wright: Music for silent films, 1894—1929: a guide by Gillian B. Anderson. S. 528–530, Eglė Stalnionienė: Outreach In Lithuanian Music Libraries. S. 112–122, Nanna Schiødt: Data Processing applied to Byzantine Chant: Secondary Report. S. 168–177, Vincent Pelote: The Institute of Jazz Studies. Why should public libraries provide music?. Juni 2001 in Lugo] by Paolo Fabbri. Mai 2000 by Uwe Harten. S. 269–271, Review by Cynthia J. Cyrus: Companion to Medieval and Renaissance Music by Tess Knighton; David Fallows. S. 60–61, Barry S. Brook, Nanna Schiødt: RILM. S. 81–88, Yumiko Hasegawa: Features Of Early Printed Editions Of The Works Of Beethoven At The Kunitachi College Of Music Library. S. 74–75, Review by Ross Wood: A catalogue of French harpsichord music: 1699—1780 by Bruce Gustafson; David Fuller. Communiqués / Mitteilungen / Notes And Information. S. 17–18, Evelyn van Kaam, Rob van den Beld: Audio Visual Media and the Training of the Public Librarian. S. 152–153, Joachim Jaenecke: COPYRIGHT: Zum aktuellen Stand des Urheberrechts in Deutschland. S. 47–50, Mimi S. Daitz: ESTONIA: Its Musical Life and Libraries. S. 120–121, Liste Internationale Selective No. S. 395–396, Review by John Wagstaff: Catalogue des éditions françaises de Mozart, 1764—1825. S. 419–420, Richard Chesser: United Kingdom and Ireland. 14,746 Photos. S. 239–242, Monique Garrigues: Le Musée Kwok On. S. 18, Kurt Dorfmüller, Brian Redfern: Katalog-Kommission. S. 199–200, Music in New Zealand Libraries: Contributors. S. 72–74, Review by George Kennaway: Estonian Sound Recordings 1939 by Kadri Steinbach; Urve Lippus. 65) by Lansing D. McLoskey. by Tony Reed. S. 295–297, Review by François Lesure: Die Erstdrucke der Werke von Wolfgang Amadeus Mozart by Gertraut Haberkamp. S. 35–49, Karl-Heinz Köhler: Bauliche und strukturelle Verhältnisse der Musikabteilung der Deutschen Staatsbibliothek, Berlin. S. 173–181, Roger Flury: Pietro Mascagni: Time for a Reappraisal. S. 53, Review by Alan Tyson: Franz Schuberts Werke in Abschriften: Liederalben und Sammlungen. S. 242, Review by Christian Meyer: Spielpraxis und Instrumentarium um 1500. S. 19–52, Bruce R. Schueneman, María de Jesús Ayala-Schueneman: The Composers’ House: Le Magasin De Musique De Cherubini, Méhul, R. Kreutzer, Rode, Nicolo Isouard, Et Boïeldieu. S. 77–78, Kurt Dorfmüller: Katalog-Kommission. S. 218–219, Review by Bradford Lee Eden: A Performer’s Guide to Renaissance Music. S. 17–18, Richard Andrewes: Research Libraries Branch: Jazz In Research Libraries: Introduction. S. 403–406, Review by Antonia Lange: Das große Handbuch der Oper by Heinz Wagner. S. 155–158, Howard Brofsky: Students of Padre Martini: A Preliminary List. S. 398–399, Review by Anna Pensaert: William Byrd: A Guide to Research. S. 415–416, Kurt Deggeller: Coordination Of Music Documentation In Switzerland: Realities, Projects, Dreams For The Future. S. 659–660, Sylwia Heinrich: Agnieszka Mietelska-Ciepierska (20 Oct. 1939—14 Jan. 2008). S. 12–13, Imogen Fellinger, Anthony Hodges, Charlotte van der Pot: Union Catalogues Of Music Periodicals. S. 84–85, Gustav C. Chamrath: Die Rechte Der Schallplatte Und Des Tonbandes. S. 201–206, Fiona Still-Drewett: South African Music Libraries: Collegial, Institutional And Geographic Isolation, An Examination. S. 374–377, Review by John E. Druesedow: Music librarianship in America (Originally published in the „Harvard Library Bulletin“, N.s., vol. (Fallen Leaf Reference Books in Music) by Ann P. Basart. S. 144–150, Veslemöy Heintz: Council Meetings: 19 and 23 June 1995 in Helsingør. S. 189–194, Susan T. Sommer: Teaching collection development in context. S. 33–42, Judy Tsou: Archives and Music Documentation Centres. S. 374–379, Review by Annemie Stimie: Emerging Solutions for Musical Arts Education in Africa by Anri Herbst. 11 (juillet 1958). Vol. S. 103–105, Review by Joy Pile: Armenian Music: A Comprehensive Bibliography and Discography by Jonathan McCollum; Andy Nercessian. S. 401–402, Review by Ralph Hartsock: Musical AKAs: Assumed Names and Sobriquets of Composers, Songwriters, Librettists, Lyricists, Hymnists, and Writers on Music by Jeanette Marie Drone. S. 69–70, International Association of Music Libraries (IAML) / Association Internationale des Bibliothèques Musicales (AIBM) / Internationale Vereinigung der Musikbibliotheken (IVMB). S. 150–151, Mary Kay Duggan: Service and Training. 4 (Octobre 1954). S. 33–35, Imogen Fellinger: Project Group on Music Periodicals: Report. She is avoiding some decisions and conflicts. S. 291, Publications à Caractere Bibliographique. 3, Teil 6) by Markus Müller-Benedict; Wo finde ich Informationen über Musik, Noten, Tonträger, Musikliteratur. S. 211–214, Review by Brian Thompson: Music Makes the Nation: Nationalist Composers and Nation Building in Nineteenth-Century Europe by Benjamin Curtis. S. 315–316, Review by Alison Hall: Bloomsbury dictionary of opera and operetta by James Anderson. S. 246–247, Review by Markus Müller-Benedict: Musikliteratur im Überblick: eine Anleitung zum Nachschlagen by Kurt Oehl; Kristina Pfarr. S. 251–253, Kofi Agawu: To Cite Or Not To Cite? S. 102–111, Inger Enquist: CHRONOLOGY OF THE INTERNATIONAL Association OF MUSIC LIBRARIES, ARCHIVES AND DOCUMENTATION CENTRES (IAML), 1949–2000. S. 15–16, Joachim Jaenecke: Bibliographische Kommission. S. 73, Ruth Hellen: Outreach Committee. S. 4–12, Anders Lönn, Wolfgang Rehm: Official Meetings. 3: September 1968. Würzburger musikhistorische Beiträge; Vol. S. 406–409, Review by Ron Wiecki: Grawemeyer Award for Music Composition: The First Twenty Years. Mai bis 3. S. 300–301, Johan Eeckeloo: Belgium: August 2000. S. 62–63, H. Robert Cohen: On the Structure of the Repertory: RIPMxix Series A and Series B. S. 66–68, Marcello Conati, Elvidio Surian: Le Centre International de Recherche sur la Presse Musicale (CIRPM) à Parme. Die Musikbibliotheken. S. 48–49, Malcolm Jones: Performance Sets. Harald Heckmann: Geleitwort des Vorsitzenden. I. S. 31–38, José V. González Valle: Spanish Ecclesiastical Archives: Musical Documentation. S. 99–100, A. Hyatt King: Music in the British Library. (RISM B IV/5) by Nanie Bridgman. 111: Eigenhändiges Korrekturexemplar der Wiener Ausgabe von Cappi & Diabelli Eine neu aufgefundene Quelle. S. 41–44, International Association of Sound Archives (IASA). 2nd ed. (Detroit Studies in Music Bibliography, Number Forty-Nine) by Nicholas Temperley; Charles G. Manns. From Antiquity to the Beginning of the Eighteenth Century; Volume II. Zur Geschichte einer Sammlung. S. 384–387, Mary Wedgewood: Commission on Audio-Visual Materials. S. 38–43, Setsuko Mori: A Historical Survey of Music Periodicals in Japan: 1881—1920. S. 3–5, Vladimir Fédorov: The International Joint Commission of the RISM. S. 5–21, Alison Hall: General Assembly: Iaml 19Th Congress: 12 July 2001 In Périgueux, France. J. R. Le Cosquino De Bussy: Le Rôle et la Place de la Lecture Publique dans l’Education Musicale Contemporaine – Quelques nouveaux aspects de la question. S. 2, Boulogne Conference: Business Matters: Council meetings, 8 and 13 July 1990 in Boulogne, France. S. 83–102, Liesbeth Weinhold: Der Anteil der Bundesrepublik Deutschland am Internationalen Quellenlexion der Musik: Referat auf der Tagung der Deutschen Gruppe der AIBM in München am 30. S. 245–250, Liesbeth Hoedemaeker: Conservation In The Netherlands. S. 106–107, Pamela Tancsik: Tracing Joseph Trauneck: The Wanderings Of A Persecuted Man. S. 327–330, Kerstin Carpvik: Research Libraries Branch. At the bar on this day, Lene meets friends, acquaintances and strangers. S. 385, Don L. Roberts: President’s Message. II, Operatic Works by Cecil Hopkinson. S. 246–247, Review by François Lesure: Lute, Vihuela, Guitar to 1800: a Bibliography (Detroit Studies in Music Bibliography, No. S. 202–203, James P. Cassaro: Subject Commission on Cataloguing. II, n o 1 et Fontes, 1954/1, 1954/2, 1955/1): Nouveaux Membres. S. 115–129, Richtlinien für die RISM-Mitarbeiter der Serie A/II (dargestellt in Anlehnung an die Checklist, veröffentlicht in „Fontes“ 1978) / Guidelines for RISM Co-workers on Series A/II (with reference to the checklist printed in „Fontes“ 1978) / Directives pour les collaborateurs du RISM à la série A/II (établies d’après la checklist parue dans „Fontes“ 1978). S. 262–263, James Siddons: Supplement for the Japan Section of the Directory of Music Research Libraries (RISM Series C, Vol. Kuhlau. S. 52–53, Stanisław Hrabia: Poland, August 2000—July 2001. SÉANCE DU GROUPE FRANÇAIS DU C.I.M.C.I.M. (Music Reference Collection, 39) by William Scott; The American Wind Symphony Commissioning Project: A Descriptive Catalog of Published Editions, 1957—1991. S. 357–361, Mary Wedgewood: Commission on Audio-Visual Materials. S. 42, W. Dale Ward, I. G. Miller: Communiqués/Mitteilungen/Communications. 1: F. Chopin by Janita R. Hall-Swadley. S. 2–6, Miranda Lee Pao: Training of the Music Librarian: A Double Degree Program. Second edition. S. 92–96, Charlotte Van Der Pot: The Study Centre for Music and Record Libraries. S. 633–635, Hartmut Walravens: International Standard Music Number (ISMN). Kolloquium 24.- 26. S. 301–302, Review by David Fanning: Dmitri Shostakovich: a Catalogue, Bibliography, and Discography. S. 25–26, Barry S. Brook, Monika Holl, Carol Oja: RIdIM. The Répertoire Internatonal D’iconographie Musicale As A Case Study. S. 198–199, Review by Christian Meyer: „Musica getutscht“. (Serie Musik; 8412) by Christoph Schwandt. S. 27–28, Rita Benton: An Introduction to American Music Libraries. Karol Musioł: Commission Of Libraries In Academies, Conservatories And Music Colleges. S. 184–187, Nicole Boisclair: Les Centres de documentation des Conservatoires de musique du Québec. S. 279–283, Katre Riisalu: Music In Estonian Research Libraries. S. 1–2, Fritz Pauli, G. R.: Commission Internationale Des Phonotheques: Die Kasseler Tagung, 3.—4. S. 147–159, Wolfgang Rehm: Vladimir Fédorov 1901—1979. S. 234. S. 112–117, C. L. Cudworth: Music libraries and the research worker. S. 76–78, Antonio Baldassare, Antonio Baldassarre: RIdIM (Répertoire international d’iconographie musicale). S. 120–121, Review by Hartmut Möller: History|Herstory. S. 392–394, Review by Scott Warfield: The Nineteenth-Century German Lied by Lorraine Gorrell. S. 78–80, Hermann Waßner: Untersuchungen zur musikbibliothekarischen Arbeit: Ein Überblick über neuere Veröffentlichungen, gegenwärtige Aktivitäten und vorzuschlagende Arbeitsziele (Beiträge aus der Bundesrepublik und aus West-Berlin). S. 376–377, Jutta Lambrecht: Publications Committee. S. 7–8, Wolfgang Suppan: Die Musiksammlung des Freiherrn von Lannoy. S. 5–11, Harald Heckmann, Michaëla Rubi: Un Demi Siècle D’existence. S. 374, Tiziana Morsanuto: Cataloguing commission: Sub-commission on UNIMARC. L’acteur, 59 ans, a épousé sa petite amie de quatre ans, l’actrice australienne américaine leila george, 28 ans, lors d’une cérémonie discrète avec la famille proche de la semaine dernière. Geburtstage berühmter Persönlichkeiten, Schauspieler, Promis und Stars am 5. S. 182–198, Review by Brad Short: The New Grove Dictionary of Jazz. S. 296–301, Petra Heerenová: Music Librarianship in Southern Moravia. S. 139–144, Glenda Dawn Goss: Sibelius Letters In The Helsinki University Library. Communications Presentees Au Congres Même. S. 98, Barry S. Brook, Nanna Schiødt: RILM. S. 192–193, Wolfgang Rehm: Harald Heckmann zum 60. S. 205–208, Margaret Laurie: Research Collections. IV: Carols and Christmas Songs (Colinde). A Method of Cataloguing Music Manuscripts by Computer, as applied in the Danish RISM Manuscript Project. S. 451–452, Review by Carol A. Hess: An Annotated Index to Selected Articles from The Musical Courier, 1880—1940 by Peter H. Adams. Biographien und Konzerte Stiftung Berliner Philharmoniker. S. 174–177, Klaus Stoessel: Computereinsatz in der Musikkatalogisierung im Deutschen Rundfunkarchiv. S. 212–214, Richard Andrewes, Janet M. Smith, Birthe Heien, Ruth Henderson, Ruth Froriep: Communiqués / Mitteilungen / Communications. S. 84–88, Review by Kathryn Lowerre: J.S. S. 55–56, Review by Himie Voxman: First Performances in America to 1900 (Works with Orchestra). S. 169–172, Unni Knutsen: Bibliographic Treatment Of Music Scores And Sound Recordings At The National Library Of Norway. Geburtstag in München, 5.-7. 2 by Jurij Snoj. S. 50–51, Antonio Bladassare, Antonio Baldassarre: Répertoire International d’Iconographie Musicale (RIdIM): Three years of new activities. S. 208–211, Harald Heckmann, André Jurres, Folke Lindberg, Kurt Dorfmüller, Thor E. Wood, Karol Musiol, Claes M. Cnattingius, Rita Benton, D. W. Krummel, Barry S. Brook, R. L. Schuursma: Jahrestagung der IVMB in Bologna / IAML annual Conference in Bologna / Réunion annuelle de l’AIBM à Bologne. S. 48, Cecil Hopkinson: Towards A Definition Of Certain Terms In Musical Bibliography (Discussion Panel). George E. Maby: On University Music Libraries in the United Kingdom. S. 24–27, Kauko Karjalainen: The Music Library Of The Finnish Broadcasting Company. S. 108–115, Laurent Guillo: Notes sur la Librairie musicale à Lyon et à Genève au XVIIe Siècle. S. 75–78, Rita Benton: The Instrumental Music of Jean-Frédéric Edelmann: A Thematic Catalogue and List of Early Editions. S. 95–111, Pamela Thompson: 1996 Treasurer’s Report. S. 304–305, Review by Jacques Tchamkerten: Ernest Bloch (1880–1959) : sa vie et sa pensée. S. 77–84, Ivano Cavallini: Il Fondo musicale dell’Archivio della Chiesa Cattedrale di Adria: Elenco. S. 143–144, Review by Fiorella Pomponi: Standardi e documenti musicali : i numeri, i modelli, i formati. S. 36–37, Lenore Coral: Cataloguing Commission. S. 49–53, A. Hyatt King: C. G. Röder’s Music-Printing Business in 1885. S. 201–202, Review by Thomas F. Heck: Le fonti musicali in Italia: studi e ricerche. S. 17–18, Mary Kay Duggan, Neil Ratliff: Project Group on Hofmeister XIX. 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S. 344–350, Thomas Aigner: The Vienna City Library’s Johann Strauss Ii Collection. S. 282–284, Kirsten Voss, Erling Dujardin: Denmark: 1994. S. 307–308, Sherry L. Vellucci: Down The Yellow Brick Road: What Should We Teach About Internet Resources?. Kullervo op. S. 26–27, Eric Cooper: Public Libraries Commission. S. 50, Review by Barry S. Brook: Edition et commerce de la musique gravée à Paris dans la première moitié du XVIII e siècle: Boivin et Le Clerc (Archives de l’édition musicale française I) by Anik Devriès. S. 310–311, Review by H. Stephen Wright: A history of orchestral conducting in theory and practice by Elliott W. Galkin.